martedì 30 novembre 2010
martedì 16 novembre 2010
Two advertising styles: "straight font" vs "curved font"
Art Nouveau advertising posters
Wiener Werkstatte font in some posters of the group
Dynamic, undulating, and flowing lines in a syncopated rhythm, are found throughout the Art Nouveau graphics (advertisements, posters e font). All items, also the lettering, were pictured with curved flowing lines that were rarely symmetrical.
Instead Weiner Werkstatte group was obsessed with squares and grids, as is evident in these posters. The appearance of the letters and articles was unified by elements such as straight lines (orizontal, vertical and oblique) and decorative square.
lunedì 15 novembre 2010
An exhibit with buxom curves
Visiona II,
an environment by Verner Panton
for Bayer AG, 1970
In the context of the Cologne furniture fair in 1970 Bayer in cooperation with the Danish designer Verner Panton presented Visiona II, an almost breathtaking interior staging wallowing in colors and forms. The project presented motley colors and buxom curves. In fact some of the most famous photographs shows a kind of interior cave made with soft and curved bulges in blue and red colour.
To explore Visiona II go on: http://www.apartmenttherapy.com/la/look/look-verner-pantons-visiona-2-076384
To explore Visiona II go on: http://www.apartmenttherapy.com/la/look/look-verner-pantons-visiona-2-076384
As some octagons become a curved sculpture
Erik and Martin Demaine created “Natural Cycles” as part of their exploration of curved folds in origami. They took a two-foot by two-foot piece of paper and cut the corners off to form an octagon. Then they creased concentric octagons within it with alternating folds. They dampened the paper, pressed all the folds at once, and put the edges of the paper in the shape of the cube’s Hamilton cycle. The combination of straight edges and straight folds formed a beautiful curved surface.
domenica 14 novembre 2010
Straight lines to advertise design objects
Op Art advertisement for Danese
Enzo Mari
published 1967
The impact of "Op" canvases was instant and dramatic. The dazzling, eye-catching visual effects of "Op" were useful to designers of logos, advertising graphics, fabrics and seemingly any two-dimensional surface which sought high impact in a fashionable idiom. These dramatic black and white patterns became ubiquitous.
In this graphic made for Danese, Enzo Mari proposes in an optical key his umbrella stand: it is drawn through straight black lines which are manipulated to communicate not only the silhouette of the object, but also its curved shape.
Corset: a garmet ... straight and curved!
The history of the corset shows us how this garment is designed by following and emphasizing as much as possible the female body; so it has sinuous and curved shapes. But, given the function to tighten the waist, sometimes it also presents straight and rigid parts. To better understand these are two types of corset.
Hourglass Corset
This is a drawing of the hourglass or "curvaceous corset". One of the major features of the hourglass style is that it provides more room for the lower ribs and is easier to reduce your waist-line quickly. This allows for optimum waist reduction with the minimum of effort.
Straight-Front or S-Curve Corset
This is the Straight-Front or S-Curve corset. In 1900 Madame Gaches-Sarraute, a Parisian corsetiere who studied medicine, designed the Straight-Front or S-Curve corset. This style of corset was designed to alleviate many of the stresses on the abdomen created by a corset. It was a type of corset worn from the start of the nineteenth century until around 1907 and its name is derived from the very rigid, straight busk that was used down the center of the front. It was the most complex shape of corset ever made, because consisting of up to 48 intricately curved and shaped pieces.
Curved shapes ... in fashion
Levi’s has listened to women everywhere and created a collection of jeans perfectly cut to fit curves. Their curved shape (based on a textile system developed by the company) offers three custom models based on women's shape and proportions. Through a worldwide research, Levi’s identified three primary body types: Slight Curve, Demi Curve, Bold Curve.
sabato 13 novembre 2010
Tube: how to bend a straight and industrial semifinished product
Tube bending is a process to create curves on thin-walled tubes also. It occurs on folding machines that can be fully automated and make bends in all directions, even with variable radius. This technology includes several variants.
Rotary Draw Bending
When rotary draw bending is applied, the tube is fastened between the bend die and the clamp die. The rotation of both tools around the bending axis bends the tube to the radius of the bend die. The pressure die (slide piece) serves the purpose of receiving the radial stress, which is generated during the forming process, and supports the straight tube end from outside. If a mandrel and wiper die are additionally applied (mandrel bending), a high quality work piece can be achieved even with thin-walled pipes and tight bending radii.
When rotary draw bending is applied, the tube is fastened between the bend die and the clamp die. The rotation of both tools around the bending axis bends the tube to the radius of the bend die. The pressure die (slide piece) serves the purpose of receiving the radial stress, which is generated during the forming process, and supports the straight tube end from outside. If a mandrel and wiper die are additionally applied (mandrel bending), a high quality work piece can be achieved even with thin-walled pipes and tight bending radii.
Compression Bending
It is similar to rotary draw bending. This bending method is carried out with a sliding carriage and a stationary bend die, between which the tube is clamped. The sliding carriage, which rotates around the radius block, bends the tube to the radius of the bend die.
It is similar to rotary draw bending. This bending method is carried out with a sliding carriage and a stationary bend die, between which the tube is clamped. The sliding carriage, which rotates around the radius block, bends the tube to the radius of the bend die.
Ram Bending (Press Bending)
When ram bending is applied, a radiused bending tool is pressed against two counter-rollers, either manually or by means of hydraulics. This motion forces the tube inserted between the radius block and the counter-rollers to bend around the radius. The tube cannot be supported from within, therefore this method is suitable for thick-walled tubes and large bending radii only.
When ram bending is applied, a radiused bending tool is pressed against two counter-rollers, either manually or by means of hydraulics. This motion forces the tube inserted between the radius block and the counter-rollers to bend around the radius. The tube cannot be supported from within, therefore this method is suitable for thick-walled tubes and large bending radii only.
3-roll Bending
This process is also used for producing work pieces with large bending radii. The method is similar to the ram bending method, but the working cylinder and the two stationary counter-rollers rotate, thus forming the bend
This process is also used for producing work pieces with large bending radii. The method is similar to the ram bending method, but the working cylinder and the two stationary counter-rollers rotate, thus forming the bend
If you want to see a tube bending click here
Straight and curved in "scientific" stamps
These are some stamps related to various branches of science.
On them are depicted straight lines, curves and spirals typical
of the world of mathemayics, physics and chemistry.
Two mathematicians and their curves on stamps
Gottfried Wilhelm von Leibniz (1646-1716): mathematician, scientist, philosopher.
Coins the term "function": it is necessary to identify the various quantities associated to a curve, including its value, the slope and the perpendicular at one point.
Friedrich Wilhelm Bessel (1784-1846): mathematician, astronomer.
He was the first to determine the distance of a star by measuring the parallax of 61 Cygni in 1838. With his precise observations could categorize the locations of more than 50000 stars and then he introduced mathematical functions now know by his name.
venerdì 12 novembre 2010
Straight and curved in light design
Arco, A. Castiglioni, Flos, 1962 Luminator, A. Castiglioni, Flos, 1954
Two Castiglioni's lamps show that light designers like to experiment with both straight and curved shapes. In fact, by their nature, lamps can take various conformations, depending on the functional purpose and creativity of the designer.
mercoledì 10 novembre 2010
Simple harmonic motion
In physics, simple harmonic motion (SHM) is a periodic motion that is neither driven nor damped. An object in simple harmonic motion experiences a net force which obeys Hooke's law; that is, the force is directly proportional to the displacement from the equilibriliium position and acts in the opposite direction of the displacement.
A simple harmonic oscilattor is a system which undergoes simple harmonic motion. The oscillator oscillates about an equilibrium position (or mean position) between two extreme positions of maximum displacement in a periodic manner. In fact, the motion of the oscillator can be described by means of a sinusoidal function. Mathematically, the displacement from the equilibrium position x is given by
- A is the amplitude which is the maximum distance from the equilibrium position (in SI units m);
- ω is the angular frequency which is a multiple of frequency f, and ω = 2πf (in SI unit: s-1);
- φ is the phasewhich is the elapsed fraction of wave cycle.
The concept of straight in the Futurism
Design: straight.
One chair, by C. Grcic for Magis
Red and blue chair, by G. Rietveld
Mies chair, by Archizoom for Poltronova
Hill House chair, by C. R. Mackintosh
Superleggera, by G. Ponti for Cassina
Libreria Carlton, by E. Sottsass jr. for Memphis
Pat McGee Band: Straight Curve Lyrics
We're going down a straight curve, all along the while
And people have you heard, all about the child
Up above God asked you, won't you hold it down
Feeling our way through, digging up the sound
And the blanket of hope surrounds us, feeding our every thought
Covering us from all the bad luck, wanting to never be caught
Chorus
We can see the lightning now, Blinding both our eyes somehow
We will do as we're told, Standing by our very souls
Wishing only what should not be, Won't somebody answer me
Out of sight, not out of mind, Soon we're running out of time
We're going down a straight curve, things never look the same
Life seems so absurd, ain't if time for a change
The old ones for the new kind, you can't leave the home
It's gonna get worse with time, But you're no longer alone
And if the ball rolls off this sand hill road,
Someone's there to see it down
"This cup's half full" is the way we chose, The only way around
Chorus
We're going down a straight curve, trying not to lose our minds
Holding on at every turn, never keeping between the lines
Virginia's always home to us, feeding our heads with hope
We don't think about it much, cause we know we'll always know
If the time runs out on our show somehow,
you'll be there to turn it back
So check your coat; you'll be here for now
realizing what we have
Chorus
lunedì 8 novembre 2010
domenica 7 novembre 2010
Exhibit: Space is curved or straight?
Present in Mario Merz from the beginning, the image of the cosmic spiral becomes the distinctive feature of his work, displaying the sequence of numbers discovered by the mathematician Leonardo Fibonacci and chosen by the artist to represent the natural processes that regulate growth. The spiral represents the relation between art, mathematics and cosmology.
The spiral was also the protagonist of one of his famous shows of 1990: "The space is curved or straight?". It was a total work created with iron, bundles of wood, glass, neon and newspapers and with it Mario Merz applied his conviction to incorporate all areas of a museum in his work, rather than simply to show his works in architectural space. The installation was flowing from outside to inside, from the museum at the square, creating a path along three hundred yards of charm that gave the impression which the nature invaded the museum.
Today designers experiment ... with the curved!
The curves expressing softness, comfort and sensuality. For this reason, designers are fascinated by the potential of the curved forms which, by their nature, are applicable to the design of chairs and armchairs, but also in other objects in the home.
And, chair-sculpture by Fabio Novembre for Cappellini, 2002
Krysalis, sofa by Karim Rashid for Felicerossi, 2005
Bookworm, library by Ron Arad for Kartell, 1994
"Curved design" of the Sixties and Seventies
An overview of some curved objects that are symbols of design in the '60s and 70s
Djinn chair and stool, Oliver Mourgue, 1965
Bubble chair, Eero Aarnio, 1965
Eclipse lamp, Vico Magistretti, 1967
Safari seating system, Archizoom, 1967
Superonda, Archizoom, 1967
Pastilli chair, Eero Aarnio, 1968
Up, Gaetano Pesce, 1969
Eclipse lamp, Vico Magistretti, 1967
Safari seating system, Archizoom, 1967
Superonda, Archizoom, 1967
Pastilli chair, Eero Aarnio, 1968
Up, Gaetano Pesce, 1969
Tube chair, Joe Colombo, 1969
Living tower, Verner Panton, 1969
Mouth, Studio 65, 1971
Ribbon chair, Gruppo G14, 1971
A straight and curved ... artist!
Frank Stella is the most significant representative of the Minimal Art, evolved in the 60s and 70s.
The most famous production of him consists of a series of monochromatic paintings or limited color scale, based on the strip. Then, in the late 60s, Stella also introduces the curves in his work.
" My painting are based on the fact that within them there is only what you can see"
(Frank Stella)
Sunset Beach, Sketch
flourescent and plain alkyd painting, 1967
flourescent and plain alkyd painting, 1967
Flin Flon III
synthetic painting on canvas, 1969
Madinat as-Salam I
polymer and flourescent paint on canvas, 1970
Some curvilinear architecture today
Shuhei Eendo
Springtecture H
Singu-cho, Hyogo, Giappone, 1998
These small public baths are surrounded by school buildings in a park.
The outer shell isn't made of two sheets, but of only one shaped like a curved spiral
Santiago Clatrava
Vigneto Ysios
Laguardia, Spagna, 1998-2001
Concrete, cedar wood and alluminium are the materials used for te construction and the cover.
The roof rests on the rolling bearing walls that give the building an animated image
in contrast to the calm that exudes the environment.
When an architect loves curved lines
Frank Owen Gehry
(Toronto, 1929)
"Architecture should speak of time and place
but yearn for timelessness"
Guggenheim Museum, Bilbao, Spagna, 1991-1997
Walt Disney Concert Hall, Los Angeles, Stati Uniti, 1987-2003
Hotel Marques de Riscal, Elciego (Alava), Spagna, 2006
If you want to see the trailer of "Sketches of Frank Gehry" by Sidney Pollack go on:
Two projects in comparison
Curved Architecture
Casa Milà, Antonio Gaudì, 1905-1912, Barcellona.
The architect uses the curved line as a basic element. It is clearly zoomorphic
and recalls the wave of the sea in its structure, interior and facade.
The whole building is so devoid of straight lines, even plants of the garden
and apartaments follow a curvilinear design.
Straight Architecture
Villa in mattoni, Mies Van der Rohe, 1924, Postdam.
The composition runs only on straight lines arranged in an asymmetrical way.
There are no curved path and it is clear the influence of Neoplasticism movement
on the architect, especially the paintings of Piet Mondrian.
Iscriviti a:
Post (Atom)